As each book in Grandma’s Wedding Quilts series has its own quilt pattern, I share some historic tidbits about the meaning behind the Flying Geese quilt blocks. Pleasance’s quilt, Flying Geese, to her 10-year-old mind wasn’t fancy enough, but by the time she marries and better understands the value of Grandma Mary’s gift to her, the significance of this quilt pattern (and her grandmother’s work) means a good deal to her. I share quotes from the book, beginning and end, with Pleasance’s attitudes about her very plain quilt pattern.
GRANDMA’S WEDDING QUILTS Series debuts today with the release of THE PREQUEL, a short introduction title by Kate Cambridge. My contribution to this 12-volume series (including the prequel) is Pleasance’s First Love. In this article, I share the gem of an idea, true-to-history, that came from researching quilts in Colorado in the 19th century. Who knew a quilt could have two “tops”?
Yellow roses appear briefly in three scenes within COURTING MISS CARTWRIGHT. Yellow roses, particularly Harison’s Yellow, are found strewn along the Oregon trail, blooming feral alongside abandoned ruins of cabins and clapboard houses in ghost towns, and originated in 1824 New York. This article contains the ‘Cemetery Scene’ where Felicity, new to Mountain Home and seeking answers. visits the cemetery and first notices the yellow roses on her father’s grave. This scene is the first conversation between sisters who’ve not known about each other until their father’s will brought them together the evening before–and they’d been barely civil.