In Victorian men’s fashion, Collars and Cuffs were something altogether separate and different than a shirt. A whole different paradigm, given today’s men’s dress shirts are one solid piece, with the collar and cuffs attached. See vintage images of the styles and reasons why tailors (and factory producers) bothered to make the collars separate–and why some were made of PAPER rather than fabric.
Did Victorian women wear costumes every day? Or dresses? Which was it?
Etiquette governing balls and dances in the American Victorian era seems stuffy, old-fashioned, and strict to 21st century Americans. Every rule of decorum ensured good manners were in play, but most importantly, the moral purity and innocence of young women and young men were maintained. Etiquette governed everything from how a man asked a woman for a dance to how he could properly hold her hand while dancing, to how many dances that pair could have in one evening. This article contains the specifics propriety demanded, and the vintage sources where they may be found. Leap year turned some of the lady’s restrictions upon the men; see the true-to-history newspaper article from 1888 that starred in Sophia’s Leap-Year Courtship.
Though American Victorian women took to the safety bicycle in droves, newspaper and public notices of the day show that women on bicycles were not widely accepted. A public service announcement from The Woman’s Rescue League proclaimed that women on bicycles were immoral, vulgar, disease-ridden, and unwomanly. Such attitudes didn’t keep women from their bicycles, and with the advent of the new Safety Bicycle, women such as my character, Sophia Sorensen (Sophia’s Leap-Year Courtship), took to cycling and had no interest in forfeiting the exercise and transportation.
OBSERVATIONS: WIDTH OF A WOMAN’S SKIRT
The humor in a newspaper columnist’s observations taught me plenty about a man’s attitude regarding the width of women’s skirts, comparing the tight fit of the day’s fashions to the wrapping of a mummy or a soaked bathing suit clinging to the unfortunate woman’s form. He infers that the pursuit of fashion is so all-important that the wearers sacrifice comfort, modesty, safety, decency, the capacity to go anywhere by both carriage or the power of one’s own two feet. The Victorian humor in this brief piece published in 1875 is evident!
