I listened to The Great Course’s 12-hour production: America in the Gilded Age and Progressive Era. This audio book title rates a full five stars and I recommend it to all fans of late nineteenth century American life–including those who enjoy it as a backdrop to their favorite fictional tales.
While researching dentistry in 1890 for an accurate setting for my title, Isabella’s Calico Groom, I was quite surprised by how advanced and “modern” (by today’s standards) dentistry was. Significant advances in dentistry had occurred in the previous decades, making dentistry truly “modern” compared to patients’ previous experiences. The sheer quantity and magnitude of improvements in dentistry qualify dentists of the 1890s to claim “Modern Dentistry” in their advertisements.
Nineteenth Century American women who desired an advanced education (and to work as a professional) fought an uphill battle. As late as the final decade (1890s) cultural beliefs demanded “good” women made home a bit of heaven on earth, toiled only as a help-meet to her husband, and found all the joy and satisfaction there she could possibly need. Historical sources underscore this dated belief system, and set the stage for the challenges faced by my character Dr. Isabella Pattison, DDS, in Isabella’s Calico Groom (within Calico Ball: Timeless Western Collection).
Behind the 19th century soda fountain counter, “baristas” known as Dispensers or Soda Men, knew a tremendous amount about customer service, the making of an ever-growing list of beverages, and the care and use of operating the soda apparatus. While other trained men mixed syrups, compounded recipes for everything from soda water to flavorings to syrups, and cleaned and repaired the machines, this article focuses on the Soda Men and their key role in the success of a Victorian-American Soda Fountain. This post is filled with primary-source recipes, tips for excellent customer service, and instructions to properly pour a soda water or ice cream soda.
Though American Victorian women took to the safety bicycle in droves, newspaper and public notices of the day show that women on bicycles were not widely accepted. A public service announcement from The Woman’s Rescue League proclaimed that women on bicycles were immoral, vulgar, disease-ridden, and unwomanly. Such attitudes didn’t keep women from their bicycles, and with the advent of the new Safety Bicycle, women such as my character, Sophia Sorensen (Sophia’s Leap-Year Courtship), took to cycling and had no interest in forfeiting the exercise and transportation.
